Icarus at the Edge of Time

 

Sunday, June 6, 2010, 6:00 PM - 7:00 PM

What if Icarus traveled not to the sun but to a black hole? This 40-minute 62-piece orchestral work is a mesmerizing adaptation of Icarus at the Edge of Time, Brian Greene’s book for children. A re-imagining of the Greek myth, which brings Einstein’s concepts of relativity to visceral, emotional life, it features an original score by Philip Glass, script adapted by Greene and David Henry Hwang and film created and directed by Al + Al. Performed live with narrator Liev Schreiber and the Orchestra of St. Luke’s, conducted by Brad Lubman.

Suitable for a broad age range.

Participants: 

Al + Al

Al and AlAl Holmes and Al Taylor have been pioneers in using new contemporary computer generated technology, combining live action performance with 3D environments to create dream worlds in film. Their work won them the 2009 Liverpool Arts prize.read more

Philip Glass

Philip GlassThrough his operas, symphonies, compositions for his own ensemble, and his wide-ranging collaborations with artists ranging from Twyla Tharp to Allen Ginsberg, Woody Allen to David Bowie, Philip Glass has had an extraordinary impact upon the musical and intellectual life of his times.read more

Brian Greene

Brian Greene is a Professor of Physics and Mathematics at Columbia University, and is recognized for a number of groundbreaking discoveries in his field of superstring theory. His books are widely read: The Elegant Universe, was a finalist for the Pulitzer Prize and has sold more than a million copies worldwide; The Fabric of the Cosmos spent half a year on the New York Times bestseller list, and inspired the Washington Post to call him the “single best explainer of abstruse ideas in the world today.”read more

David Henry Hwang

David Henry HwangDavid Henry Hwang is a playwright, librettist and screenwriter.  He is best known as the author of M. Butterfly, which won the 1988 Tony, Drama Desk, John Gassner, and Outer Critics Circle Awards, and was also a finalist for the 1989 Pulitzer Prize.  It ran for a year on London’s West End, and has been produced in over three dozen countries.read more